Anything that can be thoroughly said in prose might as well be said in prose. The everyday intellect remains satisfied with abstraction and explanation in prose; the poetic mentality wants more. In narrative poems, the poetry adds the secret (unsayable) room of feeling and tone to the sayable story. Philosophy in its more logical incarnations strives to eliminate powers of association because they are subjective and uncontrollable. Poetry, on the other hand, wants to address the whole matter of the human — including fact and logic, but also the body with its senses, and above all the harsh and soft complexities of emotion. Our senses, excited by sound and picture, assimilate records of feeling that are also passages to feeling. Poems tell stories; poems recount ideas; but poems embody feeling. Because emotion is il-logical—in logic opposites cannot both be true; in the life of feeling, we love and hate together—the poem exists to say the unsayable.
Breakfast Served Any Time All Day: Essays on Poetry New and Selected at Shortcovers